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paper and bed


A burned hole in the paper can also be seen  seen as the door to the room at the same time. Ashes and ashes caused by burning are moved to different pages when every page is changed, just as we are exposed to something that we walk in the same way.  Just as the posters are carrying the traces and the traces of the people who have experienced it are spreading all over the day in ashes as if they were moving everywhere and  the diary is becoming like an experienced Street.


A photo of a poster formed in layers or in the door is shown in the opening page. This is actually a continuation of the original work because it is continually experienced., and the pages that are buried one behind the other on the page can be seen as a hole in a door. A look at the room through the hole in the door of the room and a bed and the image of the bed sheet. The next page takes into consideration the George Perec’s relationship between the page and the bed. We are referring to the fact that we use a bed and a page down from the top, and some lines of the book  are experienced from one page to another






When we read George Perec sentences : “I write: In a habbit my sheet of paper, I invest it, I travel acroos it. I incite blanks, spaces jumps in the meaning: discontinuites transitions changes of key.”  At the same time we can perceive the door as A4 paper  that may be in bed,  and when that door is opened, there is a bedclothes and a pillow display.This sheet is just like a page and the pillow in the upper left corner is like the first letter. When we consider the sheet; John Cage is referring to the sound of each environment as it did in the 4.33 study because every sheet has a place where it has its own voice. the door opened in the first page looks like a notebook page. and an excerpt from Parcel Mroust on this sheet or page: For a long time I went to bed in writing. and then the image of the bed sheets taken out ... and there is a blank page in a frame, just like the bed sheet, in that room in that empty space.

                                         

                                   
























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